Late last year we added a new camera package to our offerings at Edit Creations. In part because we wanted to diversify the services we had to offer, and also because it played into a spinoff company we’ve been working on. That new company would be a lot more production based then Edit Creations currently is.
We looked at all the options out there in the sub 10K price range, and after weeks of research ended up with a Sony EX-1. That really surprised me because when we started the search I was pretty much set on the Panasonic P2 format and the AG-HVX200A model. Not only do I have experience with that camera, but almost everything else we do is shot in the DVCPro HD format, so we have a nice workflow in place. More then that though, I can’t stand editing in the MPEG-2 format. It’s fine for shooting and can capture great images, but once you get it into the edit system you can be assured you will rendering more then ever before. But in the end, the Sony EX-1 won hands down in image quality, built in features, and price. There was just no denying it.
So, what to do with the workflow?
On the first several projects we tried multiple different ways of attacking the projects. Everything from working in the MPEG-2 format natively to converting everything to ProRes and editing with the converted files instead. We also have extensive experience working with the Sony software, which includes XDCam EX Clip Browser and XDCam Transfer.
In addition to all of this trial and error, I was training a client on how to handle the workflow for his own project (he was renting our camera). But it seemed every time I met with him I was saying “OK, I know I said do it like this, but now there’s a whole new way to do it”. Nothing like learning on the job to keep everybody on edge!
So here we are now, about 6 months later, with what I believe is a solid workflow. So if you’re using EX-1 (or XDCam footage of any kind) you can learn from our mistakes and start off on the right foot.