After a few weeks of email exchanges about backup strategies with the “Ever Handsome” Larry Jordan, he invited me on the Digital Production Buzz to talk about my experience with the Quantum A-Series LTO backup drive. If you don’t normally listen to the show, below is an excerpt of my interview with him. If you would like to become a regular listener, you can subscribe to the show on iTunes. The show airs weekly and you can’t help but learn something new with each new episode.
Archival of editing projects and tapeless camera originals is a hot topic these days, with opinions flying everywhere. Today’s post covers our experiences with both hard drives and the new A-Series LTO drive from Quantum.
In early 2008, we decided to switch to LTO tapes for all of our long term archiving. We previously used external IDE drives (well, internal drives put in cases to make them external) for our backups. They work decently for at least a while. The problem was, it got to the point that we had to use Chronosync, a file synchronizing software, to bring back any element from a project because digital hits would appear in the video files due to bad data blocks copying over from the drives back onto our system.
With more and more media being shot and delievered these days with tapeless media formats such as Panasonic’s P2 and Sony’s SxS, efficency with Final Cut Pro’s Log and Transfer tool is more valuable than ever.
In this video tutorial I’ll show you how to log and transfer all of your tapeless media using only keyboard shortcuts. Once your clips are loaded into the Log and Transfer window you’ll be able to log the entire batch without touching the mouse once.